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\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1135:\"<p> </p>\r\n<p> </p>\r\n<ul style=\"list-style-type: square;\">\r\n<li><span style=\"color: #c0c0c0;\"><strong>1  Remix de Phil Glass 1</strong></span></li>\r\n<li><span style=\"color: #c0c0c0;\"><strong>2  Remix de Phil Glass 2</strong></span></li>\r\n<li><span style=\"color: #c0c0c0;\"><strong>3  Introspection - voix Beatrice Arias, d apres Peter Handke</strong></span></li>\r\n<li><span style=\"color: #c0c0c0;\"><strong>4  </strong></span><strong style=\"color: #c0c0c0;\">Chaos originel - tableau pont valentré 2010</strong></li>\r\n<li><span style=\"color: #c0c0c0;\"><strong>5  </strong></span><strong style=\"color: #c0c0c0;\">La fuite - voix Jean Marc Brisset, tiré de Lenz</strong></li>\r\n<li><span style=\"color: #c0c0c0;\"><strong>6  Heros ridicule - 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title=\"musique sensible\" href=\"http://www.sylvainchauveau.com/\">Sylvain chauveau<br /></a><a title=\"Design graphique\" href=\"http://web.me.com/restezvivants/restezvivants/welcomerestezvivants.html\">Restez vivants<br /></a><a href=\"http://www.zanorg.com/prodperso/punk.htm\">The Dirty Punk<br /></a><a title=\"collectif web art\" href=\"http://www.amsterdameditions.com/homepage.html\">Amsterdameditions<br /></a><a title=\"web art\" href=\"http://www.panoplie.org/menu.htm\">Panoplie</a></p>\r\n<p> </p>\r\n<p> </p>\r\n<p><img class=\"thumbnail\" style=\"float: left;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/life-is-too-short-30.jpg\" width=\"200\" /></p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"2\";}}}s:5:\"grids\";a:2:{i:0;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"3\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:5:{i:0;a:2:{s:6:\"weight\";s:18:\"0.7798657718120805\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:19:\"0.22013422818791947\";s:4:\"grid\";s:1:\"0\";}i:2;a:2:{s:6:\"weight\";s:17:\"0.319910514541387\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:18:\"0.4597315436241611\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:18:\"0.2203579418344519\";s:4:\"grid\";s:1:\"1\";}}}'),(3005,885,'myatu_bgm_active_gallery','991'),(3004,885,'_background_id','54'),(3003,885,'_wp_page_template','default'),(3002,885,'_edit_lock','1380979204:2'),(3001,885,'_edit_last','2'),(1033,212,'_thumbnail_id','213'),(1041,215,'_dp_original','212'),(1036,215,'_wp_post_template','content-nb1.php'),(1037,215,'_edit_last','2'),(1038,215,'_edit_lock','1381250875:2'),(1039,215,'wpb_post_views_count','3'),(1042,216,'_wp_attached_file','20100203_RESET_1528.jpg'),(1043,216,'_wp_attachment_metadata','a:5:{s:5:\"width\";i:3060;s:6:\"height\";i:2033;s:4:\"file\";s:23:\"20100203_RESET_1528.jpg\";s:5:\"sizes\";a:4:{s:9:\"thumbnail\";a:4:{s:4:\"file\";s:30:\"20100203_RESET_1528-150x99.jpg\";s:5:\"width\";i:150;s:6:\"height\";i:99;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:6:\"medium\";a:4:{s:4:\"file\";s:31:\"20100203_RESET_1528-300x199.jpg\";s:5:\"width\";i:300;s:6:\"height\";i:199;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:5:\"large\";a:4:{s:4:\"file\";s:32:\"20100203_RESET_1528-1024x680.jpg\";s:5:\"width\";i:1024;s:6:\"height\";i:680;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:14:\"post-thumbnail\";a:4:{s:4:\"file\";s:31:\"20100203_RESET_1528-624x414.jpg\";s:5:\"width\";i:624;s:6:\"height\";i:414;s:9:\"mime-type\";s:10:\"image/jpeg\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";d:2.79999999999999982236431605997495353221893310546875;s:6:\"credit\";s:20:\"PIERRE-JEROME 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style=\"font-size: medium;\"><strong><br /><br />         Actualités</strong></span></p>\r\n<ul style=\"list-style-type: square;\">\r\n<li><span style=\"color: #ffffff;\"><a href=\"http://diprogress.com/-nihil/standards/\"><span style=\"color: #ffffff;\"><strong>Standard</strong></span></a></span> à Nimes le 9 octobre</li>\r\n<li>Prochaine création du collectif MxM, <strong>Tete Haute</strong>, au Theatre Gerard Philipe de St Denis , 1ere le 12 Novembre</li>\r\n<li><strong>Confidences</strong> à Chateauneuf de Gadagne , la semaine du 5 decembre prochain     <em style=\"line-height: 1.714285714; font-size: 1rem;\"><a href=\"http://diprogress.com/-nihil/confidences/\"><br 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style=\"text-align: justify;\"><span style=\"font-size: 64px;\"><strong><strong>SUN<br /></strong></strong></span><strong><span style=\"font-size: medium;\">théatre-arts plastiques-vidéo / collectif MxM</span></strong></p>\r\n<p style=\"text-align: justify;\"><strong><img alt=\"2013-06-05 13.16.45\" src=\"http://diprogress.com/-nihil/wp-content/uploads/2013-06-05-13.16.45.jpg\" width=\"442\" height=\"293\" /></strong></p>\r\n<p style=\"text-align: justify;\"><strong>créé au Festival d\'Avignon IN du 7 au 13 juillet 2011- salle Benoit12</strong><br />tournée &gt; le 104 Paris / SN de Cavaillon / l \'Onde Velizy /</p>\r\n<p style=\"text-align: justify;\"> </p>\r\n<p style=\"text-align: justify;\">SUN est un projet qui s\'inscrit dans la continuité de Reset (création 2010) tant par sa thématique que par sa question scénographique et textuelle. 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Un poème qui s’écrit avec toutes les technologies, des plus archaïques aux plus contemporaines, pour tenter d’ouvrir l\'espace-temps du plateau de théâtre vers un univers singulier où chacun se retrouve.</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:40:\"[mp3-jplayer tracks=\"zinachantesun.mp3\"]\";s:6:\"filter\";b:1;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:52:\"<p>[gallery ids=\"1135,1136,1134,1131,1132,1951\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:892:\"<ul style=\"list-style-type: square;\">\r\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">texte &amp; mise en scène Cyril Teste</span></li>\r\n<li>collaboration artistique Joel Jouanneau &amp; Servane Ducorps</li>\r\n<li>avec Mattéo Eustachon, Stéphane Lalloz, Babacar M’Baye Fall, Zina-Lucia Méziat</li>\r\n<li>collaboration dramaturgique Phillippe Guyard</li>\r\n<li>scénographie Cyril Teste &amp; Julien Boizard</li>\r\n<li>éléments scénographiques Elisa Bories</li>\r\n<li>lumière &amp; télémécanique et regie générale Julien Boizard</li>\r\n<li>musique originale Nihil Bordures</li>\r\n<li>vidéo Patrick Laffont / Mehdi Toutain-Lopez</li>\r\n<li>mapping 3D Nicolas Dorémus</li>\r\n<li>régie plateau Nicolas Joubert</li>\r\n<li>costumes Marion Montel &amp; Elisa Bories</li>\r\n<li>objets programmés Christian Laroche</li>\r\n<li>- administration Anaïs Cartier</li>\r\n</ul>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"2\";}}}s:5:\"grids\";a:3:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"3\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:5:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:19:\"0.22296650717703348\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:19:\"0.41626794258373206\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:19:\"0.36076555023923446\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"2\";}}}'),(4937,1975,'_wp_attached_file','resetresilliation.mp3'),(4938,1975,'_wp_attachment_metadata','a:16:{s:10:\"dataformat\";s:3:\"mp3\";s:8:\"channels\";i:2;s:11:\"sample_rate\";i:44100;s:7:\"bitrate\";i:192000;s:11:\"channelmode\";s:6:\"stereo\";s:12:\"bitrate_mode\";s:3:\"cbr\";s:8:\"lossless\";b:0;s:15:\"encoder_options\";s:6:\"CBR192\";s:17:\"compression_ratio\";d:0.1360544217687074952660708504481590352952480316162109375;s:10:\"fileformat\";s:3:\"mp3\";s:8:\"filesize\";i:11046559;s:9:\"mime_type\";s:10:\"audio/mpeg\";s:6:\"length\";i:461;s:16:\"length_formatted\";s:4:\"7:40\";s:4:\"year\";s:4:\"2010\";s:5:\"genre\";s:5:\"Other\";}'),(1345,527,'panels_data','a:3:{s:7:\"widgets\";a:6:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1613:\"<p><span style=\"font-size: 48px;\"><strong>MADAME L\'ABBE DE CHOISY</strong></span><span style=\"font-size: medium;\"><br /><strong>Adaptation et mise en scène Alain Daffos, avec Jean Stephane</strong><br />Cie La part manquante / Toulouse 1998<br /></span></p>\r\n<p><img class=\"thumbnail\" style=\"line-height: 1.714285714; font-size: 1rem;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/Choisy-6-624x468.jpg\" width=\"400\" /></p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">\" </span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Avec l’adaptation pour le théâtre des Mémoires de l’abbé de Choisy habillé en femme, j’ai souhaité poser un regard particulier sur une figure marginale du XVIIe siècle. Sur un exclu, un paria qui eut l’outrecuidance d’assumer sans réserve sont statut de travesti louis-quatorzien. </em><em>Révéler au grand jour une figure aussi énigmatique que ce personnage hors norme engageait aussi de le révéler dans sa dimension humaine, sensible. C’est ce que tente modestement le spectacle. </em><em>Entre le vrai et le faux, le conte à dormir debout, l’abbé de Choisy se dévoile sans pudeur au travers de ses frasques romanesques. </em><em>D’un point de vue dramaturgique, il était important de trouver les conditions de passage de la littérature au théâtre. Faire en sorte que le narrateur, à la fois biographe et mémorialiste, devienne « le » personnage ou du moins une figure de théâtre. C’est à cette forme de déplacement que l’équipe artistique et moi-même avons participé</em>\". Alain Daffos</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:158:\"<p><img class=\"thumbnail\" style=\"float: right;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/abbe-de-choisy-web-624x787.jpg\" width=\"300\" /></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"1\";}}i:2;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:74:\".\r\n\r\n\r\n\r\n\r\n\r\n[mp3-jplayer tracks=\"lesintendants.mp3, milleagitations.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:195:\"<p>Costume <strong>Jean- Marc Brisset</strong>  / Création lumière <strong>Laurent Benard Didier Glibert </strong>/ Musique originale <strong>Nihil</strong> <strong>Bordures</strong></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:37:\"<p>[gallery ids=\"2607,2605,2606\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:5;a:4:{s:4:\"type\";s:4:\"html\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:108:\"<p><iframe src=\"http://www.youtube.com/embed/uIoWkn5-Vqw\" height=\"350\" width=\"425\" frameborder=\"0\"></iframe>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"2\";}}}s:5:\"grids\";a:3:{i:0;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"3\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:6:{i:0;a:2:{s:6:\"weight\";s:18:\"0.7457627118644068\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:18:\"0.2542372881355932\";s:4:\"grid\";s:1:\"0\";}i:2;a:2:{s:6:\"weight\";s:18:\"0.3797348484848485\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:18:\"0.2869318181818182\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:18:\"0.3333333333333333\";s:4:\"grid\";s:1:\"1\";}i:5;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"2\";}}}'),(3290,527,'myatu_bgm_active_gallery','901'),(3300,991,'myatu_bgm_override_tags','a:1:{i:0;s:0:\"\";}'),(1348,11,'panels_data','a:0:{}'),(1357,534,'_wp_attached_file','deshimaru-decor-9.jpg'),(1350,533,'panels_data','a:3:{s:7:\"widgets\";a:4:{i:0;a:4:{s:4:\"type\";s:4:\"html\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1931:\"<p style=\"text-align: left;\"><strong><span style=\"font-size: 44px;\">LES CHAUSSURES de  M.DESHIMARU</span></strong></p>\r\n<p style=\"text-align: left;\"><strong>d\' apres \"lannulaire de Yôko Ogawa</strong></p>\r\n<p><strong>Adaptation et mise en scène : Laurent Ogée</strong><br /><strong>Comédienne : Nathalie Andrès                                                             </strong>Création à Toulouse, Mjc Roguet / fev 2006    </p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\"> </span><span style=\"line-height: 1.714285714; font-size: 1rem;\">\" <em>Dans un improbable laboratoire où des clients peuvent venir faire naturaliser un objet ou un souvenir de leur vie, une jeune fille travaille à l’accueil. </em></span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Le laboratoire est dirigé par Mr Deshimaru, un quinquagénaire énigmatique.</em><em style=\"line-height: 1.714285714; font-size: 1rem;\">Au fil des saisons, une relation ambiguë se tisse entre la jeune fille et le vieil homme, oscillant entre désir et possession. Comme gage de cette relation, Mr Deshimaru offre à la jeune femme une paire de chaussures. Il lui impose la contrainte de ne jamais les quitter.</em><span style=\"line-height: 1.714285714; font-size: 1rem;\">\"</span></p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">Dans cette adaptation resserrée du récit de Yôko Ogawa « L’Annulaire », Nathalie Andrès, seule en scène, incarne tous les personnages de l’histoire. 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Au rez-de-chaussée un jeune couple. Carol est la mère d’une petite fille Sharon. Nick son compagnon vient juste d’emménager. Au 1er étage, Milly, la cinquantaine, vient de perdre son mari suite à une longue maladie. Juste à côté Bob, sans emploi, vient d’être privé de la garde de ses enfants par le service social. Très vite un drame va se dérouler dans l’ombre. Martin Crimp aura la délicatesse de ne jamais montrer l’in-montrable, mais par son talent et un habile procédé dramaturgique, il va nous suspendre tout au long de la pièce au bord du cauchemar. Le centre de cette histoire c’est ce que nous ne verrons jamais, pour mieux entendre ce que certains auraient du avoir le courage de comprendre. 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Nous voyons vivre un immmeuble comme tous les immeubles ; vies de couple, vies de solitudes, vies de voisinage et lentement une question s’immiscent dans les non dits….pourquoi ne voyons nous pas  la petite fille dont  toutes les conversations témoignent ?                                                                           Par un habile procédé dramaturgique, un suspense qui enfle sans cesse, la pièce de Martin Crimp nous interroge sur notre responsabilité quotidienne de tout ce que nous voyons, entendons ou  comprenons ; un spectacle engagé et nécessaire sur la maltraitance des enfants, les mécanismes humains et la lâcheté.\" NB</strong></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:84:\"<p>[gallery columns=\"5\" ids=\"1453,1457,1456,1465,1451,1455,1459,1454,1458,1462\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:5;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:795:\"<p style=\"text-align: right;\"><b>                                                                                        </b>                                                    Scénographie Aurélie Thomas                                                                       Assistante à la mise en scène Mirupama Nityanandan<br /> Costumes Alice Laloy<br /> Lumières Olivier Oudiou<br /> Vidéo Thomas Rathier<br /> Création musicale Nihil Bordures<br /> Collaboration chorégraphique Caroline Marcadet<br /> avec Philippe Bérodot, Clotilde Hesme, Annie Mercier, Jean-Philippe Meyer, Gregory Gadebois, Thomas Rathier, Dominique Charpentier</p>\r\n<p style=\"text-align: right;\"> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}}s:5:\"grids\";a:2:{i:0;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:4:{i:0;a:2:{s:6:\"weight\";s:18:\"0.8015122873345936\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:19:\"0.19848771266540643\";s:4:\"grid\";s:1:\"0\";}i:2;a:2:{s:6:\"weight\";s:18:\"0.3998109640831758\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:18:\"0.6001890359168242\";s:4:\"grid\";s:1:\"1\";}}}'),(3250,543,'myatu_bgm_active_gallery','904'),(3252,212,'panels_data','a:3:{s:7:\"widgets\";a:8:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1279:\"<p><span style=\"font-size: 48px;\"><strong>ELECTRONIC CITY<br /></strong></span><strong>De Falk Richter</strong></p>\r\n<p><strong>  Mise en scène Cyr</strong><strong style=\"line-height: 1.714285714; font-size: 1rem;\">il Teste / collectif </strong><strong style=\"line-height: 1.714285714; font-size: 1rem;\">MxM </strong> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p><strong>Créé  au Festival Temps d\'Images à la Ferme du Buisson, <span style=\"line-height: 1.714285714; font-size: 1rem;\">Scène </span><span style=\"line-height: 1.714285714; font-size: 1rem;\">Natio</span><span style=\"line-height: 1.714285714; font-size: 1rem;\">nale de Marne la Vallée le 13 octobre 2007                                                                                                                                                           </span></strong><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Tournée &gt; Théâtre Universitaire de Nantes / Le Carré des Jalles-  Saint-Médard-en-Jalles / TGP-CDN de Saint-Denis /Scène Nationale 61, Alençon / Lieu Unique de nantes/Théâtre Monfort, Paris / Festival Via au Manège - Scène Nationale de Maubeuge</span></strong></p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:232:\"<p> </p>\r\n<p>                                                        <img class=\"thumbnail\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/mouvement-photo-de-larticle.jpg\" width=\"400\" /></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"1\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1093:\"<p><span style=\"font-size: large;\"><strong>Une tragédie de l\'errance, du vide et du non-lieu</strong></span></p>\r\n<p><strong></strong><br /><em><strong>« J\'habite bien ici mais ce n\'est pas chez moi », dit Tom, un des personnages d\'Electronic City. 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Est-ce que tout ne devient pas plus facile quand on pense que rien n\'est réel, que tout cela n\'est au fond qu\'une fiction de plus ?\"</strong></em></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:123:\"<p><a href=\"http://diprogress.com/-nihil/wp-content/uploads/Revue-de-Presse-EC.pdf\" target=\"_blank\">Revue de Presse</a></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:79:\"<p>[gallery columns=\"5\" ids=\"1482,1483,1481,1480,1479,1475,1476,1477,1478\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:5;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:81:\"[mp3-jplayer tracks=\"electronicity3.mp3, electronicity2.mp3, electronicity1.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}i:6;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:781:\"<p><strong><span style=\"line-height: 1.714285714; 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style=\"font-size: 48px;\"><strong>AJAX</strong><span style=\"font-size: medium;\"><br /></span></span>de Sophocle<br />Collectif Monkeyz Ex Machina</p>\r\n<p><span style=\"font-size: 48px;\"><span style=\"font-size: medium;\"><img class=\" wp-image-1584 alignnone\" alt=\"image9-web\" src=\"http://diprogress.com/-nihil/wp-content/uploads/image9-web.jpg\" width=\"684\" height=\"347\" /></span></span></p>\r\n<p>de décembre 2003 à février 2004<br />Maroc (Casablanca, Meknes, Tanger, Rabbat, Fes)</p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:31:\"[mp3-jplayer tracks=\"ajax.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:74:\"<p>[gallery columns=\"4\" 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Luzech (Lot)</strong><br /><strong>Cahors 1997</strong></p>\r\n<p> <img class=\"thumbnail\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/lievres-de-mars2.jpg\" /></p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:469:\"<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p style=\"text-align: right;\"><strong>\"Première bande son entièrement originale, avec des samples de violoncelle enregistrés à la maison... Tout d un coup, une évidence, même moins bien fabriquée, une bande son originale revêt une âme au projet théâtral... 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J ai sincerement le sentiment de ne pas avoir fait mieux depuis; j en suis desolé quelque fois, puis çà passe - quelques extraits, ici \". nb</p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:99:\"\r\n\r\n[mp3-jplayer tracks=\"equilibrepastoral.mp3, fuite.mp3, vertige.mp3, crises.mp3, bienvenue.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:120:\"<p><img class=\"thumbnail\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/LENZ-REMIX.jpg\" width=\"250\" /></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}}s:5:\"grids\";a:2:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:3:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:18:\"0.6450094161958568\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:18:\"0.3549905838041431\";s:4:\"grid\";s:1:\"1\";}}}'),(3284,566,'myatu_bgm_active_gallery','908'),(3286,612,'myatu_bgm_active_gallery','917'),(1441,566,'_dp_original','538'),(1436,566,'_wp_post_template','content-nb1.php'),(1437,566,'_edit_last','2'),(1438,566,'_edit_lock','1380279244:2'),(1439,566,'wpb_post_views_count','3'),(1442,567,'_wp_attached_file','lenz.jpg'),(1443,567,'_wp_attachment_metadata','a:5:{s:5:\"width\";i:649;s:6:\"height\";i:828;s:4:\"file\";s:8:\"lenz.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:4:{s:4:\"file\";s:16:\"lenz-117x150.jpg\";s:5:\"width\";i:117;s:6:\"height\";i:150;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:6:\"medium\";a:4:{s:4:\"file\";s:16:\"lenz-235x300.jpg\";s:5:\"width\";i:235;s:6:\"height\";i:300;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:14:\"post-thumbnail\";a:4:{s:4:\"file\";s:16:\"lenz-624x796.jpg\";s:5:\"width\";i:624;s:6:\"height\";i:796;s:9:\"mime-type\";s:10:\"image/jpeg\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";i:0;s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";i:0;s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";i:0;s:3:\"iso\";i:0;s:13:\"shutter_speed\";i:0;s:5:\"title\";s:0:\"\";}}'),(1444,566,'_thumbnail_id','567'),(1447,570,'panels_data','a:3:{s:7:\"widgets\";a:4:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:618:\"<p><span style=\"font-size: 48px;\"><strong>LES FEMMES SAVANTES</strong></span><br /><strong>De Molière - mise en scène Jean-Marc Brisset / 3BC cie</strong><br />Théâtre de la Digue <span style=\"line-height: 1.714285714; 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un collège, de la dope, un jardinier, un flingue, des poppers, un jardin, une pyramide, bander, débander, roter, péter, le plaisir, les expériences, la pulsion, du bahaus, débrancher, David Bowie, du chaos, de l\'art, des ados, de la nature, des trucs, une télé.  A la fin, trois millions d\'année se sont écoulées, le collège ferme ses portes, l\'espèce humaine disparaît, le vent passe, la terre demeure.  Dans tout les cas, ça finit pareil.\"</p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">Avec </span><strong style=\"line-height: 1.714285714; font-size: 1rem;\">Gaelle Clérivet</strong><span style=\"line-height: 1.714285714; font-size: 1rem;\"> / Hermione , </span><strong style=\"line-height: 1.714285714; font-size: 1rem;\">Alexandra</strong><span style=\"line-height: 1.714285714; font-size: 1rem;\"><strong> Castellon</strong> / Lisbeth et </span><strong style=\"line-height: 1.714285714; font-size: 1rem;\">Catherine Labit</strong><span style=\"line-height: 1.714285714; font-size: 1rem;\"> / Winifred</span></p>\r\n<p>                                  \"Pièce extraordinaire de modernité, de lacher prise et visionnaire. Inoubliable. 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style=\"font-size: 48px;\"><strong>MEURTRE DE LA PRINCESSE JUIVE</strong><span style=\"font-size: medium;\"><br /><strong></strong></span></span></p>\r\n<p><strong>D’Armando Llamas</strong></p>\r\n<p><strong>Mise en scène Jean Marc Brisset / 3bc cie</strong></p>\r\n<p><strong> Théâtre Garonne Toulouse / Cité internationale Paris - janvier 1998</strong></p>\r\n<p>  <img class=\"thumbnail\" style=\"font-size: 1rem; line-height: 1;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/meutre-2.jpg\" width=\"550\" /></p>\r\n<p> Avec<strong> Jacques Vincey, Catherine Morlot, Jean Stephane, Celine Pique, Nathalie Andres, Richard Duval, Franck Garrick, Christelle Boizanté, Nathalie Bensard, Philippe Bussière, Alain Daffos,</strong> <strong>Catherine Morlot, Paula de Oliveira</strong></p>\r\n<p>Scénographie <strong>François Delaroziere</strong>, <strong>Jean-Marc Brisset</strong> / Musique<strong> Nihil bordures</strong> / Lumières <strong>Laurent Benard</strong></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:73:\".\r\n\r\n\r\n\r\n\r\n\r\n[mp3-jplayer tracks=\"meutre2.mp3, meutre5.mp3, meutre6.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:51:\"<p>[gallery 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style=\"text-align: justify;\"><span style=\"font-size: 42px;\"><strong>PAS DE CADEAU</strong><span style=\"font-size: medium;\"><br /></span><strong><span style=\"font-size: medium;\">D\'aprés l oeuvre de Emil Cioran </span></strong></span></p>\r\n<p style=\"text-align: justify;\"><span style=\"font-size: medium;\"><strong>Mise en scène Claude Martinez / cie Carré Brune</strong></span></p>\r\n<p><span style=\"font-size: 42px;\"><span style=\"font-size: medium;\"><img class=\"thumbnail\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/cadeau-%C3%A9mile-077.jpg\" /></span></span></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:129:\"<p>  <img class=\"thumbnail\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/cioranune-433943-jpg_293944.jpg\" 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style=\"text-align: justify;\"><span style=\"font-size: 48px;\"><strong><strong><span style=\"font-size: xx-large;\">Petites histoires de la folie ordinaire</span><br /></strong></strong></span><strong><span style=\"font-size: medium;\">de Pietr Zelenka / Théâtre / Collectif DRAO</span></strong></p>\r\n<p style=\"text-align: justify;\"> </p>\r\n<p>créé à Belfort, scène nationale Le Granit, du 03 au 07 nov 2010,<br />puis au théâtre de la Tempete à Paris d<span style=\"line-height: 1.714285714; font-size: 1rem;\">u 12 nov au 18 dec 2010.../ Ivry du 22 au 26 mars </span><span style=\"font-size: 1rem; line-height: 1.714285714;\">2011...</span></p>\r\n<p><img class=\"thumbnail\" style=\"font-size: 1rem; line-height: 1;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/petites-histoires-de-la-folie-ordinaire-5.jpg\" width=\"566\" /></p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">Tout commence comme dans un Labiche. Pierre a tout de Lenglumé quand il se réveille un matin avec une sévère gueule de bois et des cheveux coupés dans la poche… Mais nous ne sommes pas à Paris, mais à Prague, et le texte, qui date de 2001, est signé Petr Zelenka. Pierre va tenter de récupérer son ancienne petite amie… Mais autour de lui, ses proches ont tous leurs petites névroses. Ces folies additionnées aux siennes vont aboutir à une succession de tableaux fantasmagoriques. Au fond, tous ces personnages très ordinaires s’interrogent sur leur place et leur rôle dans la société. Au-delà de la folie, le texte questionne aussi la solitude moderne. Où s’arrête la normalité ? Où débute vraiment la folie ? Point de réponse au final. Ce qui est sûr, par contre, c’est que le collectif DRAO s’est emparé de la pièce de Zelenka avec fougue. Leur mise en scène est aussi inventive que rythmée, et nous donne à voir la succession des scènes dans une forme quasi cinématographique. Tout se joue autour d’une structure circulaire formée de divers voiles que l’on bouge à loisir tout au long du spectacle. C’est esthétique et entraînant et le procédé nous tient en haleine. Du côté de l’interprétation, pas de fausses notes. Les comédiens du collectif DRAO campent avec talent et enthousiasme leurs personnages et tirent leur épingle de ces situations toujours décalées. C’est drôle et burlesque sans pour autant relayer aux oubliettes la réflexion...<em> Pariscope /Dimitri Denorme</em></span></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:64:\"<p>[gallery columns=\"6\" ids=\"2162,2160,2157,2155,2153,2161\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:72:\"[mp3-jplayer tracks=\"jeanne.mp3, acceleration.mp3, combatpermanent.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:372:\"<ul>\r\n<li> Mise en scène et interprétation STEPHANE FACCO / THOMAS MATALOU / BENOIT MOCHOT  GILLES NICOLAS/ SANDY OUVRIER /MAÏA SANDOZ / FATIMA SOUAHLIA- MANET</li>\r\n<li>Scénographie et costumes CATHERINE COSME</li>\r\n<li>Assistante costumes MAGALI PERRIN-TOININ</li>\r\n<li>Musique originale NIHIL BORDURES</li>\r\n<li>Lumières KELIG LE BARS</li>\r\n</ul>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:830:\"<p id=\"extrait\">Georges : acte 2, scène 9                                                                                                                                                                                                                                                                   « <strong><em>Beaucoup de gens croient qu\'ils sont fous, mais, et c\'est un mystère, ils sont tout à fait normaux. Regarde bien autour de toi, tu vois des tas de gens qui ont l\'air fou, mais ils ne le sont pas vraiment. Tu comprends. Tu ne vois personne gambader en caleçon dans la rue. (...) La véritable folie est aussi rare que le génie ou l\'oreille absolue</em></strong>. »</p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"1\";}}i:5;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:291:\"<ul>\r\n<li>Magie THIERRY COLLET</li>\r\n<li>Maquillages, Perruques SOLWEIG MARTZ</li>\r\n<li>Direction technique ANDRE NERI</li>\r\n<li>Régie Générale PATRICE BONNAFOUS</li>\r\n<li>Construction DENIS HATT</li>\r\n<li>Presse DOROTHÉE DUPLAN</li>\r\n<li>Production, diffusion EMMANUEL MAGIS</li>\r\n</ul>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"1\";}}}s:5:\"grids\";a:4:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:3;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:6:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"2\";}i:3;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"2\";}i:4;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"3\";}i:5;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"3\";}}}'),(1506,592,'_dp_original','538'),(1501,592,'_wp_post_template','content-nb1.php'),(1502,592,'_edit_last','2'),(1503,592,'_edit_lock','1381250584:2'),(1504,592,'wpb_post_views_count','3'),(1509,594,'_wp_attached_file','folirordinaire.jpg'),(1510,594,'_wp_attachment_metadata','a:5:{s:5:\"width\";i:700;s:6:\"height\";i:394;s:4:\"file\";s:18:\"folirordinaire.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:4:{s:4:\"file\";s:25:\"folirordinaire-150x84.jpg\";s:5:\"width\";i:150;s:6:\"height\";i:84;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:6:\"medium\";a:4:{s:4:\"file\";s:26:\"folirordinaire-300x168.jpg\";s:5:\"width\";i:300;s:6:\"height\";i:168;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:14:\"post-thumbnail\";a:4:{s:4:\"file\";s:26:\"folirordinaire-624x351.jpg\";s:5:\"width\";i:624;s:6:\"height\";i:351;s:9:\"mime-type\";s:10:\"image/jpeg\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";i:0;s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";i:0;s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";i:0;s:3:\"iso\";i:0;s:13:\"shutter_speed\";i:0;s:5:\"title\";s:0:\"\";}}'),(1511,592,'_thumbnail_id','2157'),(1514,598,'panels_data','a:3:{s:7:\"widgets\";a:5:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:2239:\"<p><span style=\"font-size: 52px;\"><strong>TCHERNOBYL<br /></strong></span></p>\r\n<p><strong>D\'apres La supplication de Svetlana Alexievitch                                                                                                                                                                                                                                             Mise en scène Alain Daffos / Cie La part manquante</strong></p>\r\n<p><span style=\"font-size: 42px;\"><span style=\"font-size: 1rem;\">Création au théatre de la Digue à Toulouse </span></span><span style=\"font-size: medium; line-height: 27px;\">- mai2003                                                                                                                                                                                                                                   </span><span style=\"font-size: medium; line-height: 27px;\">Tournée &gt;Mazamet, Rodez, Cahors, Auch, Ramonville, Limoux, Figeac, Dax, Lavelanet, Tours </span></p>\r\n<p><span style=\"font-size: medium; line-height: 27px;\"><span style=\"font-size: 42px;\"><span style=\"font-size: medium;\"><span style=\"line-height: 1.714285714; font-size: 1rem;\">Avec Béatrice Arias, Benoît Mochot, Céline Pique, Jean Stéphane </span></span></span></span></p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">Création lumière     </span><span style=\"line-height: 1.714285714; font-size: 1rem;\">Didier Glibert</span><span style=\"line-height: 1.714285714; font-size: 1rem;\"> </span><br />Musique originale    Nihil Bordures <br />Création Vidéo        Bruno Wagner <br />Costumes               Touatia Razali, Béatrix de Nadaï <br /><br /></p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\"> </span><img class=\"size-full wp-image-601\" alt=\"C. Brisset\" src=\"http://diprogress.com/-nihil/wp-content/uploads/Tchernobyl.jpg\" width=\"696\" height=\"480\" /><br /><span style=\"font-size: small;\"><em>C.Brisset</em></span></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:63:\"[mp3-jplayer tracks=\"radiation.mp3, pompiers.mp3, enfants.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:112:\"<p><iframe src=\"http://www.youtube.com/embed/NZ8FnuRYwXA\" height=\"350\" width=\"425\" frameborder=\"0\"></iframe></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:182:\"<p>               <img class=\"thumbnail\" style=\"vertical-align: middle;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/Tchernobyl-visuel.jpg\" width=\"250\" /></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"2\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1460:\"<p><i style=\"line-height: 1.714285714; font-size: 1rem;\">\" La Supplication</i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> ne parle pas de Tchernobyl, mais du monde de Tchernobyl. Justement ce que nous ne connaissons peu. De ce dont nous ne connaissons presque rien. </span><i style=\"line-height: 1.714285714; font-size: 1rem;\">Une histoire manquée</i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> : voilà comment j’aurais pu intituler mon livre. Je me suis intéressée aux sensations, aux sentiments des individus qui ont touché à l’inconnu. Au mystère. Tchernobyl est un mystère qu’il nous faut encore élucider. C’est peut-être une tâche pour le XXIème siècle. Tchernobyl nous a transposé d’une époque dans une autre. Nous nous trouvons face à une \"réalité nouvelle\". Mais quelque soit le sujet dont parle l’homme, il se dévoile en même temps. Quel genre de personnes sommes-nous ? Notre histoire est faite de souffrance. La souffrance est notre abri. Notre Culte. Elle nous hypnotise. Mais j’avais envie de poser d’autres questions, sur le sens de la vie humaine, de notre existence sur Terre. Je voyageais, je parlais, je notais. Ces gens ont été les premiers à voir ce que nous soupçonnons seulement. Ce qui est encore un mystère pour tous. Je leur ai cédé la parole. Plus d’une fois, j’ai eu l’impression de noter le futur. \" </span><strong>Svetlana Alexievitch</strong> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}}s:5:\"grids\";a:3:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"3\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:5:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:18:\"0.3333333333333333\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:18:\"0.2914285714285714\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:19:\"0.37523809523809526\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"2\";}}}'),(3275,598,'myatu_bgm_active_gallery','914'),(1521,598,'_dp_original','538'),(1516,598,'_wp_post_template','content-nb1.php'),(1517,598,'_edit_last','2'),(1518,598,'_edit_lock','1380285397:2'),(1519,598,'wpb_post_views_count','3'),(1524,601,'_wp_attached_file','Tchernobyl.jpg'),(1525,601,'_wp_attachment_metadata','a:5:{s:5:\"width\";i:800;s:6:\"height\";i:552;s:4:\"file\";s:14:\"Tchernobyl.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:4:{s:4:\"file\";s:22:\"Tchernobyl-150x103.jpg\";s:5:\"width\";i:150;s:6:\"height\";i:103;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:6:\"medium\";a:4:{s:4:\"file\";s:22:\"Tchernobyl-300x207.jpg\";s:5:\"width\";i:300;s:6:\"height\";i:207;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:14:\"post-thumbnail\";a:4:{s:4:\"file\";s:22:\"Tchernobyl-624x430.jpg\";s:5:\"width\";i:624;s:6:\"height\";i:430;s:9:\"mime-type\";s:10:\"image/jpeg\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";i:0;s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";i:0;s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";i:0;s:3:\"iso\";i:0;s:13:\"shutter_speed\";i:0;s:5:\"title\";s:0:\"\";}}'),(1526,598,'_thumbnail_id','2450'),(1529,12,'panels_data','a:0:{}'),(1536,605,'_dp_original','221'),(1531,605,'_wp_post_template','content-nb1.php'),(1532,605,'_edit_last','2'),(1533,605,'_edit_lock','1380629366:2'),(1534,605,'wpb_post_views_count','3'),(1537,607,'_wp_attached_file','2009-05-13-19.59.56.jpg'),(1538,607,'_wp_attachment_metadata','a:5:{s:5:\"width\";i:827;s:6:\"height\";i:553;s:4:\"file\";s:23:\"2009-05-13-19.59.56.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:4:{s:4:\"file\";s:31:\"2009-05-13-19.59.56-150x100.jpg\";s:5:\"width\";i:150;s:6:\"height\";i:100;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:6:\"medium\";a:4:{s:4:\"file\";s:31:\"2009-05-13-19.59.56-300x200.jpg\";s:5:\"width\";i:300;s:6:\"height\";i:200;s:9:\"mime-type\";s:10:\"image/jpeg\";}s:14:\"post-thumbnail\";a:4:{s:4:\"file\";s:31:\"2009-05-13-19.59.56-624x417.jpg\";s:5:\"width\";i:624;s:6:\"height\";i:417;s:9:\"mime-type\";s:10:\"image/jpeg\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";d:4.5;s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D80\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";i:1242244796;s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"18\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:4:\"0.04\";s:5:\"title\";s:0:\"\";}}'),(1539,605,'_thumbnail_id','607'),(1541,605,'panels_data','a:3:{s:7:\"widgets\";a:6:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:671:\"<p style=\"text-align: justify;\"><span style=\"font-size: 64px;\"><strong><strong>[.0]<br /></strong></strong></span><strong><span style=\"font-size: medium;\">Performance-lecture-électro / collectif MxM                                                                             créé au Lieu Unique à Nantes le 16 mai 2009</span></strong></p>\r\n<p style=\"text-align: justify;\"> </p>\r\n<p style=\"text-align: justify;\"><img class=\"alignnone size-full wp-image-1214\" alt=\"17/05/2009 23:31\" src=\"http://diprogress.com/-nihil/wp-content/uploads/point-zero-04-web.jpg\" width=\"400\" height=\"300\" /></p>\r\n<p style=\"text-align: justify;\"> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:4:\"html\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:866:\"<em><strong>\"[.0] est un laboratoire scénographique, vidéos, lumières, de textes originaux et donc d\'un mix techno composé pour l\'occasion. Il s\'agit là de désacraliser quelque peu l\'écoute théatrale en se servant de l\'énergie formidable d\'une soirée électro...tout en donnant du sens à celle ci...</strong></em></p>\r\n<p><em><strong>Ainsi, dans un climats d\'insomnies,d\' \"intranquillité\", [.0] tisse un programme de survie pragmatique vers un seul but, l\'urgence de notre plaisir.</strong></em></p>\r\n<p><em><strong>Ce travail se situe dans le prolongement naturel de Paradiscount, sur le \"parlé chanté\", ou là encore nous tentons de poser de singulières harmonies, \"ni chanson, ni lecture théâtrale\",à la limite des deux et en tout cas une forte conviction pour créer un espace infini, imprévisible\"...   </strong></em><strong>nb</strong></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:635:\"<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p style=\"text-align: right;\">Voix / Alexandra Castellon<br />Textes / guitare live / voix: Cyril Teste<br />Composition musicale originale / live act / Nihil Bordures<br />Régie générale / construction et scénographie / lumières / Julien Boizard<br />Programation et création / diffusion live vidéo / Mehdi Toutain-Lopez et Patrick Laffont<br /><span style=\"line-height: 1.714285714; font-size: 1rem;\">Mixage final / DJ Analog Boy </span><br /><em style=\"line-height: 1.714285714; font-size: 1rem;\">Remerciements pour les photographies de cette page à PJ Adjedj et Caroline Bigret </em></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:3;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:82:\".\r\n\r\n\r\n\r\n\r\n\r\n\r\n[mp3-jplayer tracks=\"pointzeroextrait1.mp3, pointzeroextrait3.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:67:\"<p>[gallery ids=\"1223,1222,1221,1220,1219,1218,1217,1216,1215\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"1\";}}i:5;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:112:\"<p><iframe src=\"http://www.youtube.com/embed/RIYc06C8LJU\" height=\"350\" width=\"425\" frameborder=\"0\"></iframe></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"2\";}}}s:5:\"grids\";a:3:{i:0;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"3\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:7:{i:0;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"0\";}i:2;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:3:\"0.5\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:18:\"0.3098434004474273\";s:4:\"grid\";s:1:\"2\";}i:5;a:2:{s:6:\"weight\";s:18:\"0.3568232662192394\";s:4:\"grid\";s:1:\"2\";}i:6;a:2:{s:6:\"weight\";s:18:\"0.3333333333333333\";s:4:\"grid\";s:1:\"2\";}}}'),(1549,609,'_dp_original','605'),(1543,609,'_wp_post_template','content-nb1.php'),(1544,609,'_edit_last','2'),(1545,609,'_edit_lock','1380632700:2'),(1546,609,'wpb_post_views_count','3'),(1550,610,'_wp_attached_file','avion7sec.jpg'),(1548,609,'panels_data','a:3:{s:7:\"widgets\";a:5:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1503:\"<p style=\"text-align: justify;\"><span style=\"font-size: 48px;\"><strong><strong>7 SECONDES <span style=\"font-size: x-large;\"> \"in god we trust\" </span><br /></strong></strong></span><strong>De Falk Richter</strong></p>\r\n<p style=\"text-align: justify;\"><strong> <strong>Performance Théâtre / Musique live                                                                                                                                                         </strong>Mise en scène de Alain Daffos / Cie La part manquante                                                                                                                                       </strong></p>\r\n<p style=\"text-align: justify;\"><strong> </strong></p>\r\n<p><strong> Le 11 et 12 Avril 2008 au Theatre Garonne / Toulouse, le 29 avril 2008 à Rodez.</strong><br /><strong>avec Nathalie Andres, christelle Boisanté, Aida Sanchez, Jean Stephane </strong></p>\r\n<p><strong>Création lumieres et batterie live  <strong>Didier Glibert</strong>                                                                                                                              Musique originale, guitare &amp; 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style=\"font-size: 50px;\"><strong>AVELANAT</strong></span><br /><strong><span style=\"font-size: medium;\">Mise en son d un évènementiel, défilé de mode, lancement du produit textile \"Xcl\"        De Jacques Perdigués<br /><br />Lavelanet / octobre 1998                                                                                                                             <strong>mixage en direct</strong></span></strong></p>\r\n<p>  </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:4:\"html\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:116:\"<p>  <iframe src=\"http://www.youtube.com/embed/cJh4WMxomaE\" height=\"350\" width=\"425\" 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Elles tracent ainsi une scénographie déambulatoire originale et inédite.            De Vauban à Jean de la Fontaine, et des tailleurs de pierre aux cadets ... Une autre manière          de découvrir ce site.\"      Lumières : Joël Bonnet     Installations plastiques : Mariette Bouillet </span></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"1\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:161:\"<p>. </p>\r\n<p><img class=\"thumbnail\" style=\"float: right;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/citadelle-8-TRANS.png\" width=\"350\" /></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:3;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:71:\"  [mp3-jplayer tracks=\"citadelle1.mp3, citadelle3.mp3, citadelle2.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"2\";}}}s:5:\"grids\";a:2:{i:0;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"4\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:6:{i:0;a:2:{s:6:\"weight\";s:18:\"0.2306843267108168\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:18:\"0.7693156732891833\";s:4:\"grid\";s:1:\"0\";}i:2;a:2:{s:6:\"weight\";s:19:\"0.23225806451612904\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:19:\"0.26666666666666666\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:19:\"0.46021505376344085\";s:4:\"grid\";s:1:\"1\";}i:5;a:2:{s:6:\"weight\";s:19:\"0.04086021505376344\";s:4:\"grid\";s:1:\"1\";}}}'),(1610,628,'_dp_original','623'),(1604,628,'_wp_post_template','content-nb1.php'),(1605,628,'_edit_last','2'),(1606,628,'_edit_lock','1380571121:2'),(1607,628,'wpb_post_views_count','3'),(1611,629,'_wp_attached_file','le-chemin.jpg'),(1609,628,'panels_data','a:3:{s:7:\"widgets\";a:4:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:597:\"<p><span style=\"font-size: 48px;\"><strong>LE CHEMIN</strong><span style=\"font-size: medium;\"><br /><strong>Installation contemporaine de Gilles Tanguy</strong></span></span><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Toulouse, juin 2003</span></strong></p>\r\n<p><strong>Mise en son sur huit hp en horizonale et composition (60\') de  Franck de Villeneuve et Nihil Bordures                                                          Texte et voix Bruno Ruiz ; [100 aphorismes sur l idée du chemin]</strong></p>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:148:\"<p><img class=\"thumbnail\" style=\"float: right;\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/le-chemin-detail.jpg\" width=\"250\" /></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"1\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:178:\"<p> <img class=\"thumbnail\" style=\"font-size: 1rem; 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style=\"font-size: 48px;\"><strong>PONT VALENTRE</strong></span></p>\r\n<p><strong>Installation Sonore /  Pont Valentré de Cahors / Première version de 2007 à 2009 , puis une deuxième composition de 2010 à 2012</strong></p>\r\n<p>Composition musicale de 50 mn  pour une installation sonore, visuelle et nocturne du pont Valentré de Cahors. 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En maniant l humour et harmonies, la poésie de petit gris semble couler de source... Une poésie ancrée dans nos vies de faits divers... Ainsi de chorégraphies en tableaux oniriques, rien ne décroche et en définitive , rare sont les spectacles qui font autant l unanimité... Il se dégage une forme d authenticité, à la mesure du risque de la forme d écriture. Faire cohabiter 4 comédien(e)s et une dizaine de marionnettes  n est pas à la portée du premier spectacle venu... Les deux mondes sont plausibles et meme complémentaires... On n es ait plus ou sont les faux chasseurs ou les vrais policiers... tout est fragile donc émouvant...\" nb</strong></em></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:417:\"<p> </p>\r\n<p> </p>\r\n<p> </p>\r\n<p style=\"padding-left: 240px;\">\"Quand il était petit, Petit Gris attrapa la pauvreté. Sans maison, sans papiers, en butte aux contrôles incessants de chasseurs-policiers, il connaît, avec ses parents, l’errance, la fuite, les ailleurs interdits. 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STERNALSKI\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";i:0;s:9:\"copyright\";s:22:\"© Nathalie STERNALSKI\";s:12:\"focal_length\";i:0;s:3:\"iso\";i:0;s:13:\"shutter_speed\";i:0;s:5:\"title\";s:0:\"\";}}'),(2987,860,'_thumbnail_id','81'),(2989,860,'panels_data','a:3:{s:7:\"widgets\";a:2:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:2662:\"<p><span style=\"font-size: 46px;\"><strong><strong>CONFIDENCES<br /></strong></strong></span>Installation sonore / Compositions de dix portraits sonores<br />Scène Nationale de Cavaillon</p>\r\n<p><img class=\"alignnone size-full wp-image-1294\" alt=\"A3_CONFIDENCES_HD-LIGHT1web-web\" src=\"http://diprogress.com/-nihil/wp-content/uploads/A3_CONFIDENCES_HD-LIGHT1web-web.jpg\" width=\"240\" height=\"387\" /></p>\r\n<p style=\"text-align: justify;\"> </p>\r\n<p>\" Aller chez les gens. Parler avec eux, les rencontrer, les enregistrer. Puis composer sur eux...\"<br />Singularité de l’être. Trouver cette tonalité, la monter en harmonies par une composition musicale propre à chaque sujet.<br />La parole, sans filtre, claque devient alors un parlé chanté universel. Un rapport au monde comme nul autre.</p>\r\n<p><img class=\"alignnone size-full wp-image-1292\" alt=\"mains jpeg blog1-web\" src=\"http://diprogress.com/-nihil/wp-content/uploads/mains-jpeg-blog1-web.jpg\" width=\"319\" height=\"239\" /><br /><br />Ces tableaux sonores ne sont pas des portraits psychologiques, je pense souvent au peintre qui capte une couleur, une esquisse, une idée.</p>\r\n<p>Depuis vingt ans des metteurs en scène me proposent des textes de théâtre pour les accompagner musicalement. Le travail de Confidences m’a amené comme par évidence à distiller de vrais monologues dramaturgiques, émouvants et pertinents. On parle de dieu, d’amour ou d’injustices ; on parle de notre temps enivré, des chemins de vies et de nos doutes… Mon travail consiste à dégager ces intuitions et à les mettre en scène. A la différence qu’ ici, rien n’est joué, aucun fard et c‘est cette tonalité sans artifice qui attire l’oreille. Oui, cette parole claque en ces temps ou le ton culturel, le ton médiatique est l’emballage normatif. La musique vient donc là comme une scénographie sonore.</p>\r\n<p>Faire adhérer un texte, une parole à un discours instrumental est un domaine exploré par beaucoup de compositeurs, chacun avec des prédominances différentes ; vocale, acousmatique, électro acoustique ou vers la poésie sonore... Aujourd’hui nos outils numériques ultra puissants nous permettent de dépasser tous ces clivages pour les embrasser et de se servir de cet héritage. 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font-size: 1rem;\">Elsa Agnès</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Fanny Arnulf</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Victor Assié</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Laurie Barthélémy</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Pauline Colin</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Florent Dupuis</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Katia Ferreira</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Mathias Labelle</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Quentin Ménard</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Valentin Rolland</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Morgan Sicard</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Camille Soulerin</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Vincent Steinebach</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">Rebecca Truffo</span></strong><br /><strong><span style=\"line-height: 1.714285714; font-size: 1rem;\"> </span></strong><br /><span style=\"line-height: 1.714285714; font-size: 1rem;\"><br /></span></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"3\";s:4:\"cell\";s:1:\"1\";}}}s:5:\"grids\";a:4:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:3;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:5:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"2\";}i:3;a:2:{s:6:\"weight\";s:19:\"0.29911699779249445\";s:4:\"grid\";s:1:\"3\";}i:4;a:2:{s:6:\"weight\";s:18:\"0.7008830022075055\";s:4:\"grid\";s:1:\"3\";}}}'),(4682,1760,'_wp_attached_file','NOBODY-detail-photo-2-web.jpg'),(3201,221,'myatu_bgm_active_gallery','896'),(3203,860,'myatu_bgm_active_gallery','78'),(3205,615,'myatu_bgm_active_gallery','918'),(3207,243,'panels_data','a:3:{s:7:\"widgets\";a:4:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:1131:\"<p><span style=\"font-size: xx-large;\"><strong>STANDARD</strong></span><br /><br /><strong>Danse contemporaine </strong><br /><strong>Pierre Rigal / Cie Dernière minute</strong></p>\r\n<p>Création au théatre Jean Vilar de Suresnes, puis au festival de danse de Marseille, le 12 et 13 juin 2012.<br />tournée &gt; Hanovre (Allemagne) 08sept2012 / Petit Quevilly (Rouen) 18-19oct2012 / Bron (Lyon) 23oct2012 / Atlanta (usa) 27oct2012 / Nancy 23nov2012 / Douai 30nov2012 / Millau 15janv2013 / Suresnes 25au27janv2013 / Eaubonne 08fev2013 / Cavaillon 12mars2012 / Toulouse(theatre Garonne) du 14au17mai2013 / Metz 25mai2013 / Paris(au 104) du 28mai au 2juin2013 / Londres 4 aout2013 / Theatre de Nîmes 09 oct213 / ....<br /><br /><img class=\"size-full wp-image-996 alignnone\" alt=\"stand little 1\" src=\"http://diprogress.com/-nihil/wp-content/uploads/stand-little-1.jpg\" width=\"280\" height=\"186\" /></p>\r\n<p>\"<em>De manière très pragmatique et mécanique, la pièce Standards met en valeur le caractère dynamique et mobile des identités, des modèles et des standards qu’ils soient intimes ou collectifs</em>.\" Pierre Rigal</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:74:\"<p>[gallery columns=\"4\" ids=\"2049,1171,1168,1169,1170,1166,1167,2048\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:112:\"<p><iframe src=\"http://www.youtube.com/embed/tJs3ljN7sHk\" height=\"350\" width=\"425\" frameborder=\"0\"></iframe></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:635:\"<p style=\"text-align: center;\"><strong>Avec Julia Flot, Adrien Goulinet, Steve Kamseu,Sandrine Lescourant, Camille Regneault, Julien Saint maximin, Marie Kaee Schmidt, Joel Tshiamala.</strong></p>\r\n<p style=\"text-align: center;\"><strong>Conception, Scénographie, Chorégraphie Pierre Rigal</strong></p>\r\n<p style=\"text-align: center;\"><strong>Assistante artistique, costumes et maquillages Mélanie Charteux</strong></p>\r\n<p style=\"text-align: center;\"><strong>Création lumière Frederic Stoll / régie lumière Gisèle Pape</strong></p>\r\n<p style=\"text-align: center;\"><strong>Musique Originale en direct Nihil Bordures</strong></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}}s:5:\"grids\";a:3:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"2\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:4:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:18:\"0.5780510879848628\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:18:\"0.4219489120151372\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"2\";}}}'),(3208,243,'myatu_bgm_active_gallery','900'),(3213,637,'myatu_bgm_active_gallery','924'),(3236,653,'myatu_bgm_active_gallery','928'),(3220,631,'myatu_bgm_active_gallery','922'),(3222,605,'myatu_bgm_active_gallery','915'),(3224,215,'panels_data','a:3:{s:7:\"widgets\";a:6:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:992:\"<p style=\"text-align: justify;\"><span style=\"font-size: 64px;\"><strong><strong>RESET<br /></strong></strong></span><strong>théatre-arts plastiques-vidéo/collectif MxM</strong></p>\r\n<p style=\"text-align: justify;\"><strong><img class=\"alignnone size-full wp-image-1235\" alt=\"20100121-RESET-02-web\" src=\"http://diprogress.com/-nihil/wp-content/uploads/20100121-RESET-02-web.jpg\" width=\"483\" height=\"245\" /></strong></p>\r\n<p>&gt; co-création TGP-CDN de Saint-Denis et Ferme du Buisson, Scène Nationale de Marne-La-Vallée<br />&gt; Janvier / Fevrier 2010</p>\r\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">\"Reset\" est le croisement de deux présents simultanés, à des époques différentes, qui s’entrechoquent. Deux histoires parallèles qui posent à la fois les questions d’amnésie, d’identité et de disparition.         </span><a href=\"http://diprogress.com/-nihil/wp-content/uploads/Presse-Reset.pdf\" target=\"_blank\">Presse Reset (pdf)</a></p>\r\n<p>   </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:0:\"\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:82:\"\r\n\r\n\r\n\r\n\r\n.\r\n[mp3-jplayer tracks=\"resetresilliation.mp3, resetenfancereverse.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:3;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:73:\"<p>[gallery columns=\"4\" ids=\"1241,1250,1246,972,1238,1985,1984,1239\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:112:\"<p><iframe src=\"http://www.youtube.com/embed/LmyjK7r6faE\" height=\"350\" width=\"425\" frameborder=\"0\"></iframe></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"2\";}}i:5;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:2237:\"<ul style=\"list-style-type: square;\">\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846;\">Avec Servane Ducorps, Stéphane Lalloz, Benoît Mochot / Antoine Régent, Sandy Boizard, Pascal Rénéric, Gerald Weingand, Damoh Ikheteah et Alexis Augusto-Cabrera (enfants en alternance)</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846;\">Texte et mise en scène : Cyril Teste</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846;\">Collaboration artistique : Joël Jouanneau</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846;\">Dramaturgie : Anne Monfort</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Lumière et régie générale : Julien Boizard</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Musique originale : Nihil Bordures</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Conception vidéo : Patrick Laffont</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Vidéo : Mehdi Toutain-Lopez</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Scénographie : Elisa Bories</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Costumes : Élisa Bories et Marion Montel</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Robotique : Christian Laroche</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Construction acier et motorisation : Patrick Clody Side Up Concept</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Construction bois : Christian Giordano et Hugo Perron</span></li>\r\n<li><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: justify;\">Collaboration : Dr Joël Monfort, psychiatre</span><span style=\"font-size: 0.928571429rem; line-height: 1.846153846; text-align: center;\"> </span></li>\r\n</ul>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}}s:5:\"grids\";a:3:{i:0;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}i:1;a:2:{s:5:\"cells\";s:1:\"3\";s:5:\"style\";s:0:\"\";}i:2;a:2:{s:5:\"cells\";s:1:\"1\";s:5:\"style\";s:0:\"\";}}s:10:\"grid_cells\";a:5:{i:0;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";}i:1;a:2:{s:6:\"weight\";s:19:\"0.21405750798722045\";s:4:\"grid\";s:1:\"1\";}i:2;a:2:{s:6:\"weight\";s:19:\"0.45260915867944623\";s:4:\"grid\";s:1:\"1\";}i:3;a:2:{s:6:\"weight\";s:18:\"0.3333333333333333\";s:4:\"grid\";s:1:\"1\";}i:4;a:2:{s:6:\"weight\";s:1:\"1\";s:4:\"grid\";s:1:\"2\";}}}'),(3225,215,'myatu_bgm_active_gallery','1998'),(3227,609,'myatu_bgm_active_gallery','916'),(3229,225,'panels_data','a:3:{s:7:\"widgets\";a:7:{i:0;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:769:\"<p><span style=\"font-size: xx-large;\"><strong>PRESS</strong></span></p>\r\n<p><strong>Solo danse contemporaine</strong><br /><strong>Piere Rigal / Cie Dernière Minute</strong></p>\r\n<p><img style=\"line-height: 1.714285714; font-size: 1rem;\" alt=\"press repet1 web light\" src=\"http://diprogress.com/-nihil/wp-content/uploads/press-repet1-web-light.jpg\" width=\"415\" height=\"233\" /></p>\r\n<p><span style=\"line-height: 1.714285714; text-align: justify; font-size: 1rem;\">Création au \"Gate theater\" de Londres où il a été joué 17 fois du 15 fevrier au 8 mars 2008</span></p>\r\n<p><em><strong>&gt;&gt; <span style=\"font-size: x-large;\"><a href=\"http://diprogress.com/-nihil/wp-content/uploads/les-inrocks-Press-2-624x931.jpg\">Article Les Inrocks</a></span></strong></em></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"1\";s:4:\"grid\";s:1:\"0\";s:4:\"cell\";s:1:\"0\";}}i:1;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:52:\"<p>[gallery ids=\"2066,2067,2065,2068,2070,2069\"]</p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"2\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"0\";}}i:2;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:119:\"<p>    .<iframe src=\"http://www.youtube.com/embed/WKpyZJR--3A\" height=\"350\" width=\"425\" frameborder=\"0\"></iframe></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"3\";s:4:\"grid\";s:1:\"1\";s:4:\"cell\";s:1:\"1\";}}i:3;a:4:{s:5:\"title\";s:0:\"\";s:4:\"text\";s:32:\"[mp3-jplayer tracks=\"press.mp3\"]\";s:6:\"filter\";b:0;s:4:\"info\";a:4:{s:5:\"class\";s:14:\"WP_Widget_Text\";s:2:\"id\";s:1:\"4\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"0\";}}i:4;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:451:\"<ul style=\"list-style-type: square;\">\r\n<li> Conception, choregraphie et interprétation <strong>Pierre Rigal</strong><strong> </strong></li>\r\n<li>Construction, création lumière, machinerie<strong> Fréderic Stol</strong></li>\r\n<li>Assistante à la chorégraphie <strong>Mélanie chartreux</strong></li>\r\n<li>Musique originale en direct / samplers &amp; guitare <strong>Nihil bordures</strong></li>\r\n</ul>\r\n<p style=\"text-align: center;\"> </p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"5\";s:4:\"grid\";s:1:\"2\";s:4:\"cell\";s:1:\"1\";}}i:5;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:2044:\"<p>Tournée &gt; 30-31 mai et 1er juin08 au <strong>TGP St Denis</strong>, 29-30 juillet 08<strong> Périgueux</strong> / Du 02 au 7 septembre08 à l<strong>\'Opéra de Sydney</strong> (Australie) / Les 25-26 septembre08 à la Biénale de la Danse de<strong> Lyon</strong>, 15-16 janvier au <strong>Parvis de Tarbes</strong>, du 22 au 24 janvier 08 au<strong> Lieu Unique de Nantes</strong>, du 28 janvier au 7 février2009 au théatre Garonne à Toulouse, 17 et 18 Février 09 au <strong>Kai theater à Bruxelles</strong>, du 05 au 08 mars09 à <strong>Séville</strong>, 24 et 25 mars09 à<strong> Montpellier,</strong> juin 09 à <strong>Shizuoka</strong>(Japon)  <strong>Bangkok</strong> (Thailande), septembre09 à <strong>NewYork-Baryshnikov center</strong> (USA) / <strong>Montréal</strong> (Canada), 9 et 10 octobre09 à<strong> Blois</strong>, 15 nov à <strong>Turin</strong> (Italie), du 26 nov au 12 dec 09 à <strong>Paris à la cité internationale</strong> (14e), 02 et 03 mars 2010 à <strong>Alençon SN61</strong>, 06 07 mars 2010 à <strong>Rodez</strong> 09 mars à <strong>Millau</strong>, 13 à<strong> Montargis</strong>, 16 et 17 à<strong> Strasbourg</strong>, 22 et 23 à <strong>Epernay</strong>, 01 et 02 avril à <strong>La roche/yon</strong>, 27 au 30 avril à <strong>Annecy</strong>, 04 au 06 mai 2010 à <strong>Quimper</strong>, 10 et 11 mai à <strong>Bourges</strong>,<strong> Hanovre</strong> (All.) 6 et 7 sept/ <strong>Genève,</strong> <strong>Vidy Lausanne</strong> du 28 sept au 16 oct 2010 / <strong>Moscou</strong>, <strong>St Petersbourg</strong>,<strong> Kostroma</strong> (Russie) en dec 2010 /<strong> Sarrebruck</strong> 6 et 7 mai 2011 / <strong>Nimes</strong> du 11 au 13 mai 2011 / <strong>Toulouse theatre Garonne</strong> du 17 au 21 mai 2011 /<strong> Séoul</strong> (Corée du Sud ) 29 et 30 octobre 2011 / <strong>Anthony</strong> 2 et 3 avril 2012 / <strong>Paris theatre du Rond point</strong> du 15 au 18 nov2012 /<strong> Barcelone</strong> 20-21 fev2013 /....<strong></strong></p>\";s:4:\"info\";a:4:{s:5:\"class\";s:30:\"WP_Widget_Black_Studio_TinyMCE\";s:2:\"id\";s:1:\"6\";s:4:\"grid\";s:1:\"3\";s:4:\"cell\";s:1:\"0\";}}i:6;a:4:{s:4:\"type\";s:6:\"visual\";s:5:\"title\";s:0:\"\";s:4:\"text\";s:122:\"<p><img class=\"thumbnail\" alt=\"\" src=\"http://diprogress.com/-nihil/wp-content/uploads/dates-on-a-box-x-624x468.jpg\" 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